11 Books New in Paperback to Pick Up This April

When a young woman leaves her family to join a secret off-the-grid community headed by an enigmatic leader, she discovers that belonging comes with a deadly cost, in this “stunning debut,” (The New Yorker) “perfect for fans of Philip Roth’s American Pastoral and the film Martha Marcy May Marlene” (Booklist, starred review).

At nineteen, Berie encounters a seductive and mysterious man at a bus station near her home in North Carolina. Shut off from the people around her, she finds herself compelled by his promise of a new life. He ferries her into a place of order and chaos: the Ash Family farm. There, she joins a community living off the fertile land of the mountains, bound together by high ideals and through relationships she can’t untangle. Berie—now renamed Harmony—renounces her old life and settles into her new one on the farm. She begins to make friends. And then they start to disappear.

“An excellent debut, Molly Dektar probes life in a cult with a masterful hand, excavating the troubled mind of a young woman,” (Publishers Weekly). The Ash Family explores what we will sacrifice in the search for happiness, and the beautiful and grotesque power of the human spirit as it seeks its ultimate place of belonging. “A captivating and haunting tale” (New York Journal of Books).

“I remember the movement of his hips pressing against the pinball machine. This one sentence had me in its grip until the end. Two young men find each other, always fearing that life itself might be the villain standing in their way. A stunning and heart-gripping tale.” —André Aciman, author of Call Me by Your Name

A New York Times Book Review Editor’s Choice

The critically acclaimed, internationally beloved novel by Philippe Besson—“this year’s Call Me By Your Name” (Vulture) with raves in The New York Times, The New Yorker, The Wall Street Journal, NPR, Vanity Fair, Vogue, O, The Oprah Magazine, and Out—about an affair between two teenage boys in 1984 France, translated with subtle beauty and haunting lyricism by the iconic and internationally acclaimed actress and writer Molly Ringwald.

In this “sexy, pure, and radiant story” (Out), Philippe chances upon a young man outside a hotel in Bordeaux who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a boy named Thomas during their last year of high school. Thomas is the son of a farmer; Philippe the son of a school principal. At school, they don’t acknowledge each other. But they steal time to meet in secret, carrying on a passionate, world-altering affair.

Despite the intensity of their attraction, from the beginning Thomas knows how it will end: “Because you will leave and we will stay,” he says. Philippe becomes a writer and travels the world, though as this “tender, sensuous novel” (The New York Times Book Review) shows, he never lets go of the relationship that shaped him, and every story he’s ever told.

“Beautifully translated by Ringwald” (NPR), this is “Philippe Besson’s book of a lifetime...an elegiac tale of first, hidden love” (The New Yorker).

One of Vogue’s Best Books of 2019

“Incisive, funny, and tinged with melancholy, the timely novel follows two lost but clever souls desperate for connection.” —Entertainment Weekly

June Bloom is twenty-nine, broke, and an aspiring comedy writer. Hugo Best is a beloved late-night TV icon and notorious womanizer who invites her to his mansion for Memorial Day weekend. This is the story of their four days together, a “zippy…magnificent…devilishly fun ride” (Vogue).

When June Bloom, an assistant on the late-night comedy show, Stay Up with Hugo Best, runs into Hugo himself at an open mic following his unexpected retirement, she finds herself fielding a surprising invitation: Hugo asks June to come to his mansion in Greenwich for the long Memorial Day weekend. “No funny business,” he insists. “Incisive, funny, and tinged with melancholy, this timely novel follows two lost but clever souls desperate for connection” (Entertainment Weekly).

June, in need of a job and money, but harboring the remains of a childhood crush on the charming older comedian and former role model, is confident she can handle herself. She accepts. As the weekend unfolds and the enigmatic Hugo gradually reveals appealingly vulnerable facets to his personality, their dynamic proves to be much more complicated and less predictable than June imagined.

“A witty and subtle commentary on sex, power, and social politics” (Refinery 29) and “an outstanding comedic debut” (Kirkus Reviews, starred review), Stay Up with Hugo Best announces a gloriously irreverent, bold, and winning new voice in fiction.

From the author of She Regrets Nothing, which BuzzFeed called a “sharp, glittering story of wealth, family, and fate,” a vivid novel about a young Olympic skier who loses everything and reinvents herself in Buenos Aires, where she meets a man keeping dark secrets of his own.

Katie Cleary has always known exactly what she wants: to be the best skier in the world. As a teenager, she leaves her home to live and train full time with her two best friends, brothers Luke and Blair. Their wealthy father hires the best coaches money can buy and after years of training, the three friends are the USA’s best shot at bringing home Olympic gold.

But as the upward trajectory of Katie’s elite skiing career nears its zenith, a terrifying truth about her sister becomes impossible to ignore—one that will lay ruin not only to Katie’s career but to her family and her relationship with Luke and Blair.

With her life shattered and nothing left to lose, Katie flees the snowy mountainsides of home for Buenos Aires. There, she reinvents herself and meets a colorful group of ex-pats and the alluring, charismatic Gianluca Fortunado, a tango teacher with secrets of his own. This beautiful city, with its dark history and wild promise, seems like the perfect refuge, but can she really outrun her demons?

“Searing, gripping…a complicated story of sisterhood unlike any told before” (Taylor Jenkins Reid, author of Daisy Jones & The Six), We Came Here to Forget explores what it means to dream, to desire, to achieve—and what’s left behind after it all disappears.

“Downton Abbey meets Gangs of New York…a gem of a novel to be inhaled in one gulp” (Kate Quinn, New York Times bestselling author) about a devoted maid whose secretive world is about to be ripped apart at the seams—a lush and evocative debut set in 19th century New York that’s perfect for fans of Sarah Waters’s Fingersmith and Emma Donoghue’s Slammerkin.

By day, Mary Ballard is dutiful lady’s maid to Charlotte Walden, a wealthy and accomplished belle of New York City high society. But Charlotte would never trust Mary again if she knew the truth about her devoted servant’s past.

On her nights off, Mary sheds her persona as prim and proper lady’s maid to reveal her true self—Irish exile Maire O’Farren. She finds release from her frustration in New York’s gritty underworld—in the arms of a prostitute and as drinking companion to a decidedly motley crew consisting of members of a dangerous secret society.

Meanwhile, Charlotte has a secret of her own—she’s having an affair with a stable groom, unaware that her lover is actually Mary’s own brother. When the truth of both women’s double lives begins to unravel, Mary is left to face the consequences. Forced to choose between loyalty to her brother and loyalty to Charlotte, between society’s respect and true freedom, Mary finally learns that her fate lies in her hands alone.

A captivating historical fiction of 19th century upstairs/downstairs New York City, The Parting Glass examines sexuality, race, and social class in ways that feel startlingly familiar and timely. A perfectly paced, romantically charged “story of the sumptuous world of the privileged and the precarious, difficult environs of the immigrant working poor is highlighted by vibrant characters and a well-paced plot, which will pull readers into the tangled tale” (Publishers Weekly).

NATIONAL BESTSELLER

A charmingly relatable and wise memoir-in-essays by acclaimed writer and bookseller Mary Laura Philpott, “the modern day reincarnation of…Nora Ephron, Erma Bombeck, Jean Kerr, and Laurie Colwin—all rolled into one” (The Washington Post), about what happened after she checked off all the boxes on a successful life’s to-do list and realized she might need to reinvent the list—and herself.

Mary Laura Philpott thought she’d cracked the code: Always be right, and you’ll always be happy.

But once she’d completed her life’s to-do list (job, spouse, house, babies—check!), she found that instead of feeling content and successful, she felt anxious. Lost. Stuck in a daily grind of overflowing calendars, grueling small talk, and sprawling traffic. She’d done everything “right” but still felt all wrong. What’s the worse failure, she wondered: smiling and staying the course, or blowing it all up and running away? And are those the only options?

Taking on the conflicting pressures of modern adulthood, Philpott provides a “frank and funny look at what happens when, in the midst of a tidy life, there occur impossible-to-ignore tugs toward creativity, meaning, and the possibility of something more” (Southern Living). She offers up her own stories to show that identity crises don’t happen just once or only at midlife and reassures us that small, recurring personal re-inventions are both normal and necessary. Most of all, in this “warm embrace of a life lived imperfectly” (Esquire), Philpott shows that when you stop feeling satisfied with your life, you don’t have to burn it all down. You can call upon your many selves to figure out who you are, who you’re not, and where you belong. Who among us isn’t trying to do that?

“Be forewarned that you’ll laugh out loud and cry, probably in the same essay. Philpott has a wonderful way of finding humor, even in darker moments. This is a book you’ll want to buy for yourself and every other woman you know” (Real Simple).

In this instant New York Times bestseller and “multigenerational narrative that’s nothing short of brilliant” (People), two sisters’ lives from the 1950s to the present are explored as they struggle to find their places—and be true to themselves—in a rapidly evolving world from #1 New York Times bestselling author Jennifer Weiner.

Jo and Bethie Kaufman were born into a world full of promise.

Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life.

But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies. As their lives unfold against the background of free love and Vietnam, Woodstock and women’s lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture and is up for anything (except settling down). Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?

In “her most sprawling and intensely personal novel to date” (Entertainment Weekly), Jennifer Weiner tells a “simply unputdownable” (Good Housekeeping) story of two sisters who, with their different dreams and different paths, offer answers to the question: How should a woman be in the world?

For fans of the high-stakes tension of the New York Times bestsellers Luckiest Girl Alive and The Lying Game, comes “a brilliantly paced thriller that gets under your skin in the best possible way” (Megan Collins, author of The Winter Sister) about female ambition and what happens when fake violence draws real blood.

After years of struggling in the Chicago theater scene, ambitious actress Kira Rascher finally lands the role of a lifetime. The catch? The mercurial Malcolm Mercer is the director and he’s known for pushing his performers past their limits—on stage and off.

Kira’s convinced she can handle Malcolm, but the theater’s cofounder, Joanna Cuyler, is another story. Joanna sees Kira as a threat—to her own thwarted artistic ambitions, her twisted relationship with Malcolm, and the shocking secret she’s keeping about the upcoming production. But as opening night draws near, Kira and Joanna both come to the realization that Malcolm’s dangerous extremes are nothing compared to what they’re capable of themselves.

An edgy, addictive, and fiendishly clever tale of ambition, deceit, and power suited for fans of the film Black Swan, Temper “revels in its mind games, delivering twist after twist as it races toward a Shakespearian climax. The final page will leave you gasping” (Amy Gentry, author of Last Woman Standing).