March eBook Deals: 14 Books That’ll Keep You Busy Until Spring

Coralie Sardie’s father runs a Coney Island freak show where she appears as “the Mermaid,” alongside performers like the Wolfman, the Butterfly Girl, and a one-hundred-year-old turtle. When she meets Eddie Cohen, a Russian immigrant photographer, they become embroiled in a moving story of young love in tumultuous times.

In this masterful and often surprising sequel to the acclaimed Duane's Depressed, the Pulitzer Prize–winning author of Lonesome Dove has written a haunting, elegiac, and occasionally erotic novel about one of his most beloved characters.

Back from a two-week trip to Egypt, Duane finds he cannot readjust to life in Thalia, the small, dusty West Texas hometown in which he has spent all of his life. In the short time he was away, it seems that everything has changed alarmingly. His office barely has a reason to exist now that his son Dickie is running the company from Wichita Falls, his lifelong friends seem to have suddenly grown old, his familiar hangout—once a good old-fashioned convenience store—has been transformed into an "Asian Wonder Deli," his daughters seem to have taken leave of their senses and moved on to new and strange lives, and his own health is at serious risk.

It's as if Duane cannot find any solace or familiarity in Thalia and cannot even bring himself to revisit the house he shared for decades with his late wife, Karla, and their children and grandchildren. He spends his days aimlessly riding his bicycle (already a sign of serious eccentricity in West Texas) and living in his cabin outside town. The more he tries to get back to the rhythm of his old life, the more he realizes that he should have left Thalia long ago—indeed everybody he cared for seems to have moved on without him, to new lives or to death.

The only consolation is meeting the young, attractive geologist, Annie Cameron, whom Dickie has hired to work out of the Thalia office. Annie is brazenly seductive, yet oddly cold, young enough to be Duane's daughter, or worse, and Duane hasn't a clue how to handle her. He's also in love with his psychiatrist, Honor Carmichael, who after years of rebuffing him, has decided to undertake what she feels is Duane's very necessary sex reeducation, opening him up to some major, life-changing surprises.

When the Light Goes reminds everyone that where there's life, there is indeed hope. At once realistic and life-loving, often hilariously funny, and always moving, Larry McMurtry has written one of his finest and most compelling novels to date, doing for Duane what he did so triumphantly for Aurora in Terms of Endearment.

Adopted as a child into a privileged family, Philippa Palfrey fantasizes that she is the daughter of an aristocrat and a parlor maid. The terrifying truth about her parents and a long-ago murder is only the first in a series of shocking betrayals. Philippa quickly learns that those who delve into the secrets of the past must be on guard when long-buried horrors begin to stir.
"As a crime novel," wrote the London Times, Innocent Blood is "the peak of the art." "Flawlessly crafted...profoundly, masterfully moving," Cosmopolitan concurred.

The year is 1967, and the world teeters on the brink of nuclear holocaust as the Cold War goes relentlessly on. But the little city of Holloman, Connecticut, home to prestigious Chubb University and armaments giant Cornucopia, has its own crisis: twelve murders have taken place in one day.

As chief of detectives Captain Carmine Delmonico investigates, he finds himself drawn into a gruesome web of secrets and lies. And as if twelve murders were not enough, Carmine must match wits with the mysterious Ulysses, a spy giving Cornucopia’s armaments secrets to the Russians. Are the murders and espionage different cases, or are they somehow linked?

When FBI special agent Ted Kelly makes himself part of the investigation, it appears the stakes are far higher than anyone had imagined. As the death toll mounts, Carmine and his team discover that the answers are not what they seem—but then, are they ever?

New York's trendy magazines are a source of peril when a killer enacts a bizarre dance of death, using the personal ads to lure his victims in bestselling author Mary Higgins Clark's Loves Music, Loves to Dance.

After college, best friends Erin Kelley and Darcy Scott move to the city to pursue exciting careers—Erin is a promising jewelry designer and Darcy finds success as a decorator. On a lark, Darcy persuades Erin to help their TV producer friend research the kinds of people who place personal ads. It seems like innocent fun...until Erin disappears.

Erin's body is found on an abandoned Manhattan pier—on one foot is her own shoe, on the other, a high-heeled dancing slipper. Soon after, startling communiques from the killer reveal that Erin is not the first victim of this "dancing shoe murderer." And, if the killer has his way, she won't be his last. Next on his death list is Darcy.

New York Times bestselling author Tosca Lee brings a modern twist to an ancient mystery surrounding Elizabeth Bathory, the most notorious female serial killer of all time.

Emily Jacobs is the descendant of a serial killer. Now, she’s become the hunted.

She’s on a quest that will take her to the secret underground of Europe and the inner circles of three ancient orders—one determined to kill her, one devoted to keeping her alive, and one she must ultimately save.

Filled with adrenaline, romance, and reversals, The Progeny is the present-day saga of a 400-year-old war between the uncanny descendants of “Blood Countess” Elizabeth Bathory, the most prolific female serial killer of all time, and a secret society dedicated to erasing every one of her descendants. It is a story about the search for self filled with centuries-old intrigues against the backdrop of atrocity and hope.

The first of three books inspired by the life of Josephine Bonaparte follows the life of the French empress from the remote village of her birth to the height of European elegance. Her extraordinary charm, cunning, and will to survive catapult her into the heart of society where she meets Napoleon, whose destiny will prove to be irrevocably intertwined with hers.

From the bestselling and highly acclaimed author of the “page-turning tale” (Library Journal, starred review) Mrs. Poe comes a fictionalized imagining of the personal life of America’s most iconic writer: Mark Twain.

In March of 1909, Mark Twain cheerfully blessed the wedding of his private secretary, Isabel V. Lyon, and his business manager, Ralph Ashcroft. One month later, he fired both. He proceeded to write a ferocious 429-page rant about the pair, calling Isabel “a liar, a forger, a thief, a hypocrite, a drunkard, a sneak, a humbug, a traitor, a conspirator, a filthy-minded and salacious slut pining for seduction.” Twain and his daughter, Clara Clemens, then slandered Isabel in the newspapers, erasing her nearly seven years of devoted service to their family. How did Lyon go from being the beloved secretary who ran Twain’s life to a woman he was determined to destroy?

In Twain’s End, Lynn Cullen “cleverly spins a mysterious, dark tale” (Booklist) about the tangled relationships between Twain, Lyon, and Ashcroft, as well as the little-known love triangle between Helen Keller, her teacher Anne Sullivan Macy, and Anne’s husband, John Macy, which comes to light during their visit to Twain’s Connecticut home in 1909. Add to the party a furious Clara Clemens, smarting from her own failed love affair, and carefully kept veneers shatter.

Based on Isabel Lyon’s extant diary, Twain’s writings, letters, photographs, and events in Twain’s boyhood that may have altered his ability to love, Twain’s End triumphs as “a tender evocation of a vain, complicated man’s twilight years and a last chance at love” (People).

The twenty-second installment of the classic and beguiling Inspector Wexford series, this enthralling tale takes Wexford back to his days as a young policeman—and reunites him with the man he has long suspected of being a serial killer.

An instant New York Times bestseller, this prequel to the acclaimed Cork O’Connor series is “a pitch perfect, richly imagined story that is both an edge-of-your-seat thriller and an evocative, emotionally charged coming-of-age tale” (Kristin Hannah, #1 New York Times bestselling author) about fathers and sons, small-town conflicts, and the events that shape our lives forever.

Aurora is a small town nestled in the ancient forest alongside the shores of Minnesota’s Iron Lake. In the summer of 1963, it is the whole world to twelve-year-old Cork O’Connor, its rhythms as familiar as his own heartbeat. But when Cork stumbles upon the body of a man he revered hanging from a tree in an abandoned logging camp, it is the first in a series of events that will cause him to question everything he took for granted about his hometown, his family, and himself.

Cork’s father, Liam O’Connor, is Aurora’s sheriff and it is his job to confirm that the man’s death was the result of suicide, as all the evidence suggests. In the shadow of his father’s official investigation, Cork begins to look for answers on his own. Together, father and son face the ultimate test of choosing between what their heads tell them is true and what their hearts know is right.

In this “brilliant achievement, and one every crime reader and writer needs to celebrate” (Louise Penny, #1 New York Times bestselling author), beloved novelist William Kent Krueger shows that some mysteries can be solved even as others surpass our understanding.

In this international bestseller, a “twisty tale of secrets and lies that reverberate across generations of a dysfunctional family” (Michele Campbell, author of The Wife Who Knew Too Much), a woman diagnosed with cancer sets out to discover if someone poisoned her before her time is up.

Jennifer Barnes never expected the shocking news she received at a routine doctor’s appointment: she has a terminal brain tumor—and only six weeks left to live.

While stunned by the diagnosis, the forty-eight-year-old mother decides to spend what little time she has left with her family—her adult triplets and twin grandsons—close by her side. But when she realizes she was possibly poisoned a year earlier, she’s determined to discover who might have tried to get rid of her before she’s gone for good.

Separated from her husband and with a contentious divorce in progress, Jennifer focuses her suspicions on her soon-to-be ex. Meanwhile, her daughters are each processing the news differently. Calm medical student Emily is there for whatever Jennifer needs. Moody scientist Aline, who keeps her mother at arm’s length, nonetheless agrees to help with the investigation. Even imprudent Miranda, who has recently had to move back home, is being unusually solicitous.

But with her daughters doubting her campaign against their father, Jennifer can’t help but wonder if the poisoning is all in her head—or if there’s someone else who wanted her dead. “Part whodunnit, part family drama, this textured and utterly spellbinding story unravels in surprising ways you won’t see coming” (Christina McDonald, USA TODAY bestselling author).

The “sweet, sexy, and utterly fun” (Emily Henry, author of People We Meet on Vacation) Regency Vows series continues with a witty, charming, and joyful novel following a seasoned debutante and a rakish theater owner as they navigate a complicated marriage of convenience.

Lady Emily Turner has been a debutante for six seasons now and should have long settled into a suitable marriage. However, due to her father’s large debts, her only suitor is the persistent and odious owner of her father’s favorite gambling house. Meanwhile, Lord Julian Belfry, the second son of a marquess, has scandalized society as an actor and owner of a theater—the kind of establishment where men take their mistresses, but not their wives. When their lives intersect at a house party, Lord Julian hatches a plan to benefit them both.

With a marriage of convenience, Emily will use her society connections to promote the theater to a more respectable clientele and Julian will take her out from under the shadows of her father’s unsavory associates. But they soon realize they have very different plans for their marriage—Julian wants Emily to remain a society wife, while Emily discovers an interest in the theater. But when a fleeing actress, murderous kitten, and meddlesome friends enter the fray, Emily and Julian will have to confront the fact that their marriage of convenience comes with rather inconvenient feelings.

With “an arch sense of humor and a marvelously witty voice that rivals the best of the Regency authors” (Entertainment Weekly), Martha Waters crafts another fresh romantic comedy that for fans of Julia Quinn and Evie Dunmore.

We are living for the drama of possession, power, and passion as they play out against the lavish spectacle of 1890s Belle Époque Paris in this novel. When Sandrine Salome flees New York for Paris to escape her dangerous husband, a family curse illuminates the fine line between explosive desire and complete ruination.