My 2022 Reading Challenge: 9 Goals to Expand My Literary Horizons

On Thanksgiving Day 2007, as the country teeters on the brink of a recession, three generations of the Olson family gather. Eleanor and Gavin worry about their daughter, a single academic, and her newly adopted Indian child, and about their son, who has been caught in the imploding real-estate bubble. While the Olsons navigate the tensions and secrets that mark their relationships, seventeen-year-old Kijo Jackson and his best friend Spider set out from the nearby housing projects on a mysterious job. A series of tragic events bring these two worlds ever closer, exposing the dangerously thin line between suburban privilege and urban poverty, and culminating in a crime that will change everyone’s life.

In her gripping new book, Jennifer Vanderbes masterfully lays bare the fraught lives of this complex cast of characters and the lengths to which they will go to protect their families. Strangers at the Feast is at once a heartbreaking portrait of a family struggling to find happiness and an exploration of the hidden costs of the American dream.

Published to international acclaim, Jennifer Vanderbes’s first book, Easter Island, was hailed as “one of those rare novels that appeals equally to heart, mind, and soul,” by the San Francisco Chronicle. In her second novel, this powerful writer reaches new heights of storytelling. This page-turner wrestles with the most important issues of our time—race, class, and above all else, family. Strangers at the Feast will leave readers haunted and deeply affected.

This “astonishing and deeply poignant” (The Washington Post) memoir of one man’s search for a beloved family friend explores the depth of Iranian culture and the sweep of its history, and transcends today’s news headlines to remind us of the humanity that connects us all.

Growing up in Tehran in the 1960s, Terence Ward and his brothers were watched over by Hassan, the family’s cook, housekeeper, and cultural guide. After an absence of thirty years and much turmoil in Iran, Ward embarks on a quixotic pilgrimage with his family in search of their lost friend. However, as they set out on this improbable quest with no address or phone number, their only hope lies in their mother’s small black and white photograph taken decades before.

Crossing the vast landscape of ancient Persia, Ward interweaves its incredibly rich past, while exploring modern Iran’s deep conflicts with its Arab neighbors and our current administration. Searching for Hassan puts a human face on the long-suffering people of the Middle East with this inspirational story of an American family who came to love and admire Iran and its culture through their deep affection for its people. The journey answers the question, “How far would you go for a friend?”

Including a revised preface and epilogue, this new and updated edition continues to demonstrate that Searching for Hassan is as relevant and timely as ever in shaping conversations and ways of thinking about different cultures both in the US and around the world.

New York's trendy magazines are a source of peril when a killer enacts a bizarre dance of death, using the personal ads to lure his victims in bestselling author Mary Higgins Clark's Loves Music, Loves to Dance.

After college, best friends Erin Kelley and Darcy Scott move to the city to pursue exciting careers—Erin is a promising jewelry designer and Darcy finds success as a decorator. On a lark, Darcy persuades Erin to help their TV producer friend research the kinds of people who place personal ads. It seems like innocent fun...until Erin disappears.

Erin's body is found on an abandoned Manhattan pier—on one foot is her own shoe, on the other, a high-heeled dancing slipper. Soon after, startling communiques from the killer reveal that Erin is not the first victim of this "dancing shoe murderer." And, if the killer has his way, she won't be his last. Next on his death list is Darcy.

“It was an enormous pleasure for me to reread this book three decades after it first made its mark on me. I found myself still enraptured by the words of these women, still dazzled by the magic potion that is Isabel Allende’s gift for storytelling. And as I reached the final page, I smiled in wonderment at the forces that led me to where I am today, and was thankful for the reminder that our future is written in the stars.”

Read Johanna Castillo’s review here.

An African tightrope walker who can’t die gets embroiled in a secret society’s deadly gladiatorial tournament in this thrilling historical fantasy set in an alternate 1880s London, perfect for fans of The Last Magician and The Gilded Wolves.

As an African tightrope dancer in Victorian London, Iris is used to being strange. She is certainly a strange sight for leering British audiences always eager for the spectacle of colonial curiosity. But Iris also has a secret that even “strange” doesn’t capture…​

She cannot die.

Haunted by her unnatural power and with no memories of her past, Iris is obsessed with discovering who she is. But that mission gets more complicated when she meets the dark and alluring Adam Temple, a member of a mysterious order called the Enlightenment Committee. Adam seems to know much more about her than he lets on, and he shares with her a terrifying revelation: the world is ending, and the Committee will decide who lives…and who doesn’t.

To help them choose a leader for the upcoming apocalypse, the Committee is holding the Tournament of Freaks, a macabre competition made up of vicious fighters with fantastical abilities. Adam wants Iris to be his champion, and in return he promises her the one thing she wants most: the truth about who she really is.

If Iris wants to learn about her shadowy past, she has no choice but to fight. But the further she gets in the grisly tournament, the more she begins to remember—and the more she wonders if the truth is something best left forgotten.

NEW YORK TIMES BESTSELLER • A New York Times Notable Book

Winner of the Andrew Carnegie Medal for Excellence in Fiction

The daring and magnificent novel from the Pulitzer Prize–winning author.

Named One of the Best Books of the Year by NPR, Esquire, Vogue, The Washington Post, The Guardian, USA TODAY, and Time

Anna Kerrigan, nearly twelve years old, accompanies her father to visit Dexter Styles, a man who, she gleans, is crucial to the survival of her father and her family. She is mesmerized by the sea beyond the house and by some charged mystery between the two men.

‎Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Naval Yard, where women are allowed to hold jobs that once belonged to men, now soldiers abroad. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. One evening at a nightclub, she meets Dexter Styles again, and begins to understand the complexity of her father’s life, the reasons he might have vanished.

“A magnificent achievement, at once a suspenseful noir intrigue and a transporting work of lyrical beauty and emotional heft” (The Boston Globe), “Egan’s first foray into historical fiction makes you forget you’re reading historical fiction at all” (Elle). Manhattan Beach takes us into a world populated by gangsters, sailors, divers, bankers, and union men in a dazzling, propulsive exploration of a transformative moment in the lives and identities of women and men, of America and the world.

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore.

His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.

Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.