Editors Note: At Off the Shelf, we love crazy. Crazy narrators, that is. And happily, we’re not alone. So we’re very excited that Georgia Clark, author of THE REGULARS, shared her favorites with us.
Call them unreliable, odd, or downright nuts: there’s nothing more addictive than being behind the wheel with a protagonist who’s not entirely there. You might not want to be their friend, but these eight books feature narrators who you’d be crazy to miss.
Patrick Bateman is your typical Wall Street jerk: he spends his days in mergers and acquisitions and his nights in murders and executions. AMERICAN PSYCHO is Bret Easton Ellis at his most unhinged and brutally honest—and this story is so jaw dropping because it lacks control. While this very violent novel is hard to read as a feminist, it is bizarre, uncompromising, darkly humorous, and truly, truly crazy.
Crazy like: Dexter without a conscience.
Best crazy moment: Bateman being stalked by a talking park bench.
Patrick Bateman is your typical Wall Street jerk: he spends his days in mergers and acquisitions and his nights in murders and executions. AMERICAN PSYCHO is Bret Easton Ellis at his most unhinged and brutally honest—and this story is so jaw dropping because it lacks control. While this very violent novel is hard to read as a feminist, it is bizarre, uncompromising, darkly humorous, and truly, truly crazy.
Crazy like: Dexter without a conscience.
Best crazy moment: Bateman being stalked by a talking park bench.
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While summering on her grandparents’ dreamy East Coast private island, something happened to 17-year-old Cadence Sinclair. But it’s not what happened that hurts—it’s the remembering that proves most agonizing as she pieces together what really happened to her. WE WERE LIARS is a literary musing on young love, memory, coming-of-age, and tragedy with a deliciously twisty ending.
Crazy like:
Best crazy moment: The reveal . . . (Shh!)
While summering on her grandparents’ dreamy East Coast private island, something happened to 17-year-old Cadence Sinclair. But it’s not what happened that hurts—it’s the remembering that proves most agonizing as she pieces together what really happened to her. WE WERE LIARS is a literary musing on young love, memory, coming-of-age, and tragedy with a deliciously twisty ending.
Crazy like:
Best crazy moment: The reveal . . . (Shh!)
Some say she’s cold and unfeeling, calculating to a subhuman degree, and basically totally nutso. I say Amy Dunne is just a smart, sensitive woman in a man’s world, frustrated by patriarchy, down with to-do lists, and dedicated to the fine art of revenge! This powerhouse of a novel sees crime writer Gillian Flynn come into her own as a dramatic storyteller in full command of her many gifts.
Crazy like: A fox! Amy is a hottie!
Best crazy moment: The box cutter. ’Nuff said.
Some say she’s cold and unfeeling, calculating to a subhuman degree, and basically totally nutso. I say Amy Dunne is just a smart, sensitive woman in a man’s world, frustrated by patriarchy, down with to-do lists, and dedicated to the fine art of revenge! This powerhouse of a novel sees crime writer Gillian Flynn come into her own as a dramatic storyteller in full command of her many gifts.
Crazy like: A fox! Amy is a hottie!
Best crazy moment: The box cutter. ’Nuff said.
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Joe doesn’t like artisanal soda, trust fund kids, Dan Brown, Brooklyn hipsters, or Vice magazine. He does, however, like you, ever since you walked into his East Village bookshop looking like Natalie Portman. Shame that Joe is a cold-blooded killer and adept stalker. In the all-too-rare second-person narrative, YOU takes place inside the obsessed brain of Joe Goldberg, who’ll stop at nothing to make boho-wannabe Guinevere Beck (the “you” of Kepnes’s page-turning novel) his. Crazy like:
Best crazy moment: The DA VINCI CODE reading marathon.
Joe doesn’t like artisanal soda, trust fund kids, Dan Brown, Brooklyn hipsters, or Vice magazine. He does, however, like you, ever since you walked into his East Village bookshop looking like Natalie Portman. Shame that Joe is a cold-blooded killer and adept stalker. In the all-too-rare second-person narrative, YOU takes place inside the obsessed brain of Joe Goldberg, who’ll stop at nothing to make boho-wannabe Guinevere Beck (the “you” of Kepnes’s page-turning novel) his. Crazy like:
Best crazy moment: The DA VINCI CODE reading marathon.
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Ani FaNelli is the epitome of young, modern women. And that’s not a good thing. Image-obsessed, cruel, and deceptive, Ani isn’t crazy so much as extraordinarily damaged from two traumatic high school events that are expertly revealed, piece by piece, in this masterful debut. I loved the anger in this political, well-observed novel, made more powerful by the reveal that Knoll’s own sexual assault contributed to its creation. Contemporary and timely: believe the hype.
Crazy like: Carrie Bradshaw with a cleaver.
Best crazy moment: Ani’s choice of porn. (Ouch.)
Ani FaNelli is the epitome of young, modern women. And that’s not a good thing. Image-obsessed, cruel, and deceptive, Ani isn’t crazy so much as extraordinarily damaged from two traumatic high school events that are expertly revealed, piece by piece, in this masterful debut. I loved the anger in this political, well-observed novel, made more powerful by the reveal that Knoll’s own sexual assault contributed to its creation. Contemporary and timely: believe the hype.
Crazy like: Carrie Bradshaw with a cleaver.
Best crazy moment: Ani’s choice of porn. (Ouch.)
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New York, 1924. The hemlines are disappearing, the jazz is hot, and the gin is cold . . . but not in Rose Baker’s world. Rose is an odd duck, as restrained as the times are not, working as a police typist in a downtown Manhattan precinct. Then the Other Typist arrives. Odalie is alluring, sexy, and entirely out of place in the masculine world of the cop shop. As Rose is sucked under by Odalie, their obsessive friendship teases dire consequences that play out in grim and surprising ways.
Crazy like: The quiet one (it’s always the quiet one).
Best crazy moment: Rose bobbing her hair.
New York, 1924. The hemlines are disappearing, the jazz is hot, and the gin is cold . . . but not in Rose Baker’s world. Rose is an odd duck, as restrained as the times are not, working as a police typist in a downtown Manhattan precinct. Then the Other Typist arrives. Odalie is alluring, sexy, and entirely out of place in the masculine world of the cop shop. As Rose is sucked under by Odalie, their obsessive friendship teases dire consequences that play out in grim and surprising ways.
Crazy like: The quiet one (it’s always the quiet one).
Best crazy moment: Rose bobbing her hair.
The students of Hailsham are special. That’s what they’ve been told. Isolated from the outside world, they’re raised from birth as “donors,” their bodily organs harvested for wealthy patrons. But this is no schlocky sci-fi; it’s a gently observed drama. Existential, painful, and unforgettable, NEVER LET ME GO explores how even the most disenfranchised and doomed characters find meaning, hope, and love, even as they resign themselves to a life cut horribly short.
Crazy like: You’d be too.
Best crazy moment: The whole damn book.
The students of Hailsham are special. That’s what they’ve been told. Isolated from the outside world, they’re raised from birth as “donors,” their bodily organs harvested for wealthy patrons. But this is no schlocky sci-fi; it’s a gently observed drama. Existential, painful, and unforgettable, NEVER LET ME GO explores how even the most disenfranchised and doomed characters find meaning, hope, and love, even as they resign themselves to a life cut horribly short.
Crazy like: You’d be too.
Best crazy moment: The whole damn book.
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The first rule about FIGHT CLUB is you can never get sick of quoting FIGHT CLUB. A cultural touchstone that’s equally funny, absurd, and deliciously dark, Chuck Palahniuk’s debut follows an unnamed insomniac narrator who falls under the thrall of charismatic loose cannon Tyler Durden. If you’re after some mid-nineties nostalgia, a crash course in making explosives, or a truly unique twist on crazy, it’s time to go bare knuckle.
Crazy like: That introverted guy in the next cubicle . . . with the weird bruises.
Best crazy moment: Remember who Tyler Durden really is?
The first rule about FIGHT CLUB is you can never get sick of quoting FIGHT CLUB. A cultural touchstone that’s equally funny, absurd, and deliciously dark, Chuck Palahniuk’s debut follows an unnamed insomniac narrator who falls under the thrall of charismatic loose cannon Tyler Durden. If you’re after some mid-nineties nostalgia, a crash course in making explosives, or a truly unique twist on crazy, it’s time to go bare knuckle.
Crazy like: That introverted guy in the next cubicle . . . with the weird bruises.
Best crazy moment: Remember who Tyler Durden really is?
