10 Eerie Book Club Picks Best Read with Others Nearby

The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking psychological three-hander” (The Guardian) Foe returns with a new work of philosophical suspense.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?

At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

Told with startling twists and haunting power, Mirrorland is a thrilling psychological suspense novel about twin sisters, the man they both love, the house that has always haunted them, and the childhood stories they can’t leave behind.

Cat lives in Los Angeles, far from 36 Westeryk Road, the imposing gothic house in Edinburgh where she and her estranged twin sister, El, grew up. As girls, they invented Mirrorland, a dark, imaginary place under the pantry stairs, full of pirates, witches, and clowns. These days, Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband, Ross.

But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which hasn't changed in twenty years. The grand old house is still full of shadowy corners, and at every turn Cat finds herself stumbling on long-held secrets and terrifying ghosts from the past. Because someone—El?—has left Cat clues: a treasure hunt that leads back to Mirrorland, where the truth lies waiting...

A brilliantly crafted story of love and betrayal, redemption and revenge, Mirrorland is a propulsive, page-turning debut about the power of imagination and the price of freedom.

A Library Journal Best Book of 2013!
A Booklist Best Crime Novel of 2013!

There is very little peace for a man with a body buried in his backyard. But it could always be worse…

More than a year ago, mild-mannered Jason Getty killed a man he wished he’d never met. Then he planted the problem a little too close to home. But just as he’s learning to live with the undeniable reality of what he’s done, police unearth two bodies on his property—neither of which is the one Jason buried.

Jason races to stay ahead of the consequences of his crime, and while chaos reigns on his lawn, his sanity unravels, snagged on the agendas of a colorful cast of strangers. A jilted woman searches for her lost fiancé, a fringe dweller runs from a past that’s quickly gaining on him, and a couple of earnest local detectives piece clues together with the help of a volunteer police dog—all in the shadow of a dead man who had it coming. As the action unfolds, each character discovers that knowing more than one side of the story doesn't necessarily rule out a deadly margin of error.

Jamie Mason’s irrepressible debut is a macabre, darkly humorous tale with the thoughtful beauty of a literary novel, the tense pacing of a thriller, and a clever twist of suspense.

In this “truly rare book” (The New York Times) an attractive young woman imagines herself autonomous and self-sufficient, only to discover that she is unwittingly entrapped in “the lives of the twins.”

Molly Marks can’t make up her mind. Switching plans of study, bouncing from job to job, she feels lost. But all that might change when she begins a relationship with a young psychiatrist. Handsome, successful, and caring, Jonathan is the first person (apart from herself) Molly has ever cared deeply about. There’s just one sliver of doubt: Jonathan’s refusal to talk about his twin brother. Determined to uncover the reason behind his silence, Molly arranges a secret meeting with the estranged brother named James, also a psychiatrist.

After this reckless act, Molly embarks on a dangerous double life as her relationship with both brothers becomes more and more tangled. She questions whether she can trust either man—or even herself. The first mystery novel Joyce Carol Oates wrote using the pen name Rosamond smith, Lives of the Twins is a suspenseful psychological thriller with a dark family secret at its center.

The Good House is the critically acclaimed story of supernatural suspense, as a woman searches for the inherited power that can save her hometown from evil forces.

The home that belonged to Angela Toussaint's late grandmother is so beloved that the townspeople in Sacajawea, Washington call it the Good House. But that all changes one summer when an unexpected tragedy takes place behind its closed doors, and the Toussaint's family history—and future—is dramatically transformed.

Angela has not returned to the Good House since her son, Corey, died there two years ago. But now, Angela is finally ready to return to her hometown and go beyond the grave to unearth the truth about Corey's death. Could it be related to a terrifying entity Angela's grandmother battled seven decades ago? And what about the other senseless calamities that Sacajawea has seen in recent years? Has Angela's grandmother, an African American woman reputed to have "powers," put a curse on the entire community?

A thrilling exploration of secrets, lies, and divine inspiration, The Good House will haunt readers long after its chilling conclusion.

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore.

His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.

Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

A USA TODAY BESTSELLER
A Publishers Weekly Best Book of the Year

In this latest novel from Stephen Graham Jones comes a “heartbreakingly beautiful story” (Library Journal, starred review) of revenge, cultural identity, and the cost of breaking from tradition.

Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians is “a masterpiece. Intimate, devastating, brutal, terrifying, warm, and heartbreaking in the best way” (Paul Tremblay, author of A Head Full of Ghosts). This novel follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in violent, vengeful ways. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story “will give you nightmares—the good kind of course” (BuzzFeed).

Legendary storyteller Stephen King goes into the deepest well of his imagination in this spellbinding novel about a seventeen-year-old boy who inherits the keys to a parallel world where good and evil are at war, and the stakes could not be higher—for that world or ours.

Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a hit-and-run accident when he was ten, and grief drove his dad to drink. Charlie learned how to take care of himself—and his dad. When Charlie is seventeen, he meets a dog named Radar and her aging master, Howard Bowditch, a recluse in a big house at the top of a big hill, with a locked shed in the backyard. Sometimes strange sounds emerge from it.

Charlie starts doing jobs for Mr. Bowditch and loses his heart to Radar. Then, when Bowditch dies, he leaves Charlie a cassette tape telling a story no one would believe. What Bowditch knows, and has kept secret all his long life, is that inside the shed is a portal to another world.

King’s storytelling in Fairy Tale soars. This is a magnificent and terrifying tale in which good is pitted against overwhelming evil, and a heroic boy—and his dog—must lead the battle.

Early in the Pandemic, King asked himself: “What could you write that would make you happy?”

“As if my imagination had been waiting for the question to be asked, I saw a vast deserted city—deserted but alive. I saw the empty streets, the haunted buildings, a gargoyle head lying overturned in the street. I saw smashed statues (of what I didn’t know, but I eventually found out). I saw a huge, sprawling palace with glass towers so high their tips pierced the clouds. Those images released the story I wanted to tell.”