7 Breathtaking Books Kathleen Grissom Recommends

Set aboard a nineteenth century riverboat theater, this New York Times Notable book is the “captivating, thoughtful, and unforgettable” (Kathleen Grissom, author of The Kitchen House) story of a charmingly frank and naive seamstress who is blackmailed into saving runaways on the Underground Railroad, jeopardizing her freedom, her livelihood, and a new love.

It’s 1838, and May Bedloe works as a seamstress for her cousin, the famous actress Comfort Vertue—until their steamboat sinks on the Ohio River. Though they both survive, both must find new employment. Comfort is hired to give lectures by noted abolitionist, Flora Howard, and May finds work on a small flatboat, Hugo and Helena’s Floating Theatre, as it cruises the border between the northern states and the southern slave-holding states.

May becomes indispensable to Hugo and his troupe, and all goes well until she sees her cousin again. Comfort and Mrs. Howard are also traveling down the Ohio River, speaking out against slavery at the many riverside towns. May owes Mrs. Howard a debt she cannot repay, and Mrs. Howard uses the opportunity to enlist May in her network of shadowy characters who help ferry slaves across the river to freedom. Lying has never come easy to May, but now she is compelled to break the law, deceive all her newfound friends, and deflect the rising suspicions of a slave catcher.

As May’s secrets become more tangled, the Floating Theatre readies for its biggest performance yet. May’s predicament could mean doom for her friends on board, including her beloved Hugo, unless she can figure out a way to entrap those who know her best. “Twain has his ‘Life on the Mississippi’. Conway’s life on the Ohio makes you see the place, through May’s eyes, in all its muddy glory” (New York Times Book Review).

Called “wholly engrossing” by New York Times bestselling author Kathleen Grissom, this “fully immersive” (Lisa Wingate, #1 bestselling author of Before We Were Yours) story follows an enslaved woman forced to barter love and freedom while living in the most infamous slave jail in Virginia.

Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation, belonging to neither world.

She’d been promised freedom on her eighteenth birthday, but instead of the idyllic life she imagined with her true love, Essex Henry, Pheby is forced to leave the only home she has ever known. She unexpectedly finds herself thrust into the bowels of slavery at the infamous Devil’s Half Acre, a jail in Richmond, Virginia, where the enslaved are broken, tortured, and sold every day. There, Pheby is exposed not just to her Jailer’s cruelty but also to his contradictions. To survive, Pheby will have to outwit him, and she soon faces the ultimate sacrifice.

Passing meets The House of Mirth in this “utterly captivating” (Kathleen Grissom, New York Times bestselling author of The Kitchen House) historical novel based on the true story of Anita Hemmings, the first black student to attend Vassar, who successfully passed as white—until she let herself grow too attached to the wrong person.

Since childhood, Anita Hemmings has longed to attend the country’s most exclusive school for women, Vassar College. Now, a bright, beautiful senior in the class of 1897, she is hiding a secret that would have banned her from admission: Anita is the only African-American student ever to attend Vassar. With her olive complexion and dark hair, this daughter of a janitor and descendant of slaves has successfully passed as white, but now finds herself rooming with Louise “Lottie” Taylor, the scion of one of New York’s most prominent families.

Though Anita has kept herself at a distance from her classmates, Lottie’s sphere of influence is inescapable, her energy irresistible, and the two become fast friends. Pulled into her elite world, Anita learns what it’s like to be treated as a wealthy, educated white woman—the person everyone believes her to be—and even finds herself in a heady romance with a moneyed Harvard student. It’s only when Lottie becomes infatuated with Anita’s brother, Frederick, whose skin is almost as light as his sister’s, that the situation becomes particularly perilous. And as Anita’s college graduation looms, those closest to her will be the ones to dangerously threaten her secret.

Set against the vibrant backdrop of the Gilded Age, an era when old money traditions collided with modern ideas, Tanabe has written an unputdownable and emotionally compelling story of hope, sacrifice, and betrayal—and a gripping account of how one woman dared to risk everything for the chance at a better life.

The author of Florence Adler Swims Forever returns with a masterful work of historical fiction about an incendiary tragedy that shocked a young nation and tore apart a community in a single night—told from the perspectives of four people whose actions during the inferno changed the course of history.

Richmond, Virginia 1811. It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the long and arduous journey to the capital in hopes of whiling away the darkest days of the year. At the city’s only theater, the Charleston-based Placide & Green Company puts on two plays a night to meet the demand of a populace that’s done looking for enlightenment at the front of a church.

On the night after Christmas, the theater is packed with more than six hundred holiday revelers. In the third-floor boxes, sits newly-widowed Sally Henry Campbell, who is glad for any opportunity to relive the happy times she shared with her husband. One floor away, in the colored gallery, Cecily Patterson doesn’t give a whit about the play but is grateful for a four-hour reprieve from a life that has recently gone from bad to worse. Backstage, young stagehand Jack Gibson hopes that, if he can impress the theater’s managers, he’ll be offered a permanent job with the company. And on the other side of town, blacksmith Gilbert Hunt dreams of one day being able to bring his wife to the theater, but he’ll have to buy her freedom first.

When the theater goes up in flames in the middle of the performance, Sally, Cecily, Jack, and Gilbert make a series of split-second decisions that will not only affect their own lives but those of countless others. And in the days following the fire, as news of the disaster spreads across the United States, the paths of these four people will become forever intertwined.

Based on the true story of Richmond’s theater fire, The House Is on Fire offers proof that sometimes, in the midst of great tragedy, we are offered our most precious—and fleeting—chances at redemption.

Zora Anderson is a 30-year-old African American middle class, college educated woman, trained as a chef, looking for a job. As fate would have it, Kate and Craig, a married couple, aspiring professionals with a young child are looking for a nanny.

Zora seems perfect. She’s an enthusiastic caretaker, a competent house keeper, a great cook. And she wants the job, despite the fact that she won’t let her African American parents and brother know anything about this new career move. They expect much more from her than to use all that good education to do what so many Blacks have dreamed of not doing: working for White folks. Working as an au pair in Paris, France no less, was one thing, they could accept that. Being a servant to a couple not much older nor more educated, is yet another. Every adult character involved in this tangled web is hiding something: the husband is hiding his desire to turn a passion for comic books into a business from his wife, the wife is hiding her professional ambitions from her husband, the nanny is hiding her job from her family and maybe her motivations for staying on her job from herself.

Memorable characters, real-life tensions and concerns and the charming—in a hip kind of way—modern-day Park Slope, Fort Greene, Brooklyn setting make for an un-put-down-able read.

The New York Times bestselling author of the “touching” (The Boston Globe) book club classics The Kitchen House and the “emotionally rewarding” (Booklist) Glory Over Everything returns with a sweeping saga inspired by the true story of Crow Mary—an indigenous woman torn between two worlds in 19th-century North America.

In 1872, sixteen-year-old Goes First, a Crow Native woman, marries Abe Farwell, a white fur trader. He gives her the name Mary, and they set off on the long trip to his trading post in the Cypress Hills of Saskatchewan, Canada. Along the way, she finds a fast friend in a Métis named Jeannie; makes a lifelong enemy in a wolfer named Stiller; and despite learning a dark secret of Farwell’s past, falls in love with her husband.

The winter trading season passes peacefully. Then, on the eve of their return to Montana, a group of drunken whiskey traders slaughters forty Nakota—despite Farwell’s efforts to stop them. Mary, hiding from the hail of bullets, sees the murderers, including Stiller, take five Nakota women back to their fort. She begs Farwell to save them, and when he refuses, Mary takes two guns, creeps into the fort, and saves the women from certain death. Thus, she sets off a whirlwind of colliding cultures that brings out the worst and best in the cast of unforgettable characters and pushes the love between Farwell and Crow Mary to the breaking point.

From an author with a “stirring and uplifting” (David R. Gillham, New York Times bestselling author) voice, Crow Mary sweeps across decades and the landscape of the upper West and Canada, showcasing the beauty of the natural world, while at the same time probing the intimacies of a marriage and one woman’s heart.