6 Tragicomedy Books That’ll Give You Emotional Whiplash

National Book Foundation 5 Under 35 honoree and author of Such Good Work Johannes Lichtman returns with a novel that is strikingly relevant to our times—about an American who takes a job in Ukraine in 2018, only to find that his struggle to understand the customs and culture is eclipsed by a romantic entanglement with deadly consequences.

Shortly after his thirtieth birthday, John Turner receives a call from an old college friend who makes him an odd job offer: move to Ukraine to teach customer service agents at a startup how to sound American. John’s never been to Ukraine, doesn’t speak Ukrainian, and is supposed to be a journalist, not a consultant. But having just gone through a break-up and the death of his father, it might just be the new start he’s been looking for.

In Ukraine, John understands very little—the language and social customs are impenetrable to him. At work, his employees are fluent in English but have difficulty grasping the concept of “small talk.” And although he told himself not to get romantically involved while abroad, he can’t help but be increasingly drawn to one of his colleagues.

Most distressing, however, is the fact that John can hear, through their shared wall, his neighbor beating his wife. Desperate to help, John decides to offer the neighbor 100,000 hryvnias to stop. It’s a plan born out the best intentions, but one that has disastrous repercussions that no amount of money or altruism can resolve.

Like Ben Lerner’s Leaving the Atocha Station and Garth Greenwell’s What Belongs to You, Calling Ukraine reimagines the American-abroad novel. Moving effortlessly between the comic and the tragic, Johannes Lichtman deploys his signature wry humor and startling moral acuity to illuminate the inevitable complexities of doing right by others.

In this “fun, page-turner of a novel” (Sarah Haywood, New York Times bestselling author) that’s perfect for fans of Mostly Dead Things and Goodbye, Vitamin, a morbidly anxious young woman stumbles into a job as a receptionist at a Catholic church and soon finds herself obsessed with her predecessor’s mysterious death.

Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.

In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.

With a “kindhearted heroine we all need right now” (Courtney Maum, New York Times bestselling author), Everyone in This Room Will Someday Be Dead is a crackling and “delightfully weird reminder that we will one day turn to dust and that yes, this is depressing, but it’s also what makes life beautiful” (Jean Kyoung Frazier, author of Pizza Girl).

An “extremely funny...brilliantly alive” (The New York Times Book Review) social satire of the highest order from bestselling author Sam Lipsyte, centered around an unwitting mindfulness guru and the phenomenon he initiates.

In an America convulsed by political upheaval, cultural discord, environmental catastrophe, and spiritual confusion, so many of us find ourselves anxious and distracted, searching desperately for peace, salvation, and—perhaps most immediately—just a little damn focus. Enter Hark Morner, a failed stand-up comic turned mindfulness guru whose revolutionary program is set to captivate the masses. But for Fraz and Tovah, a middle-aged couple slogging through a very rough patch, it may take more than the tenets of Hark’s “Mental Archery” to solve the riddles of love, lust, work, and parenthood on the eve of civilizational collapse. And given the sudden power of certain fringe players, including a renegade Ivy League ethicist, a gentle Swedish kidnapper, a social media tycoon with an empire on the skids, and a mysteriously influential (but undeniably slimy) catfish, it just might be too late. But what’s the point of a world, even a blasted-out post-apocalyptic world, if they don’t try with all their might to keep their marriage alive?

In this “awfully funny...tartly effective sendup of 21st-century America” (Star Tribune, Minneapolis) Sam Lipsyte reaches new peaks of daring in a novel that revels in contemporary absurdity and the wild poetry of everyday language while exploring the emotional truths of his characters. “Recommended reading” (Vanity Fair), in which “every line feels as thrillingly charged as a live wire” (O, The Oprah Magazine), Hark is a smart, incisive look at men, women, and children seeking meaning and dignity in a chaotic, ridiculous, and often dangerous world.

Soon to be a major motion picture starring Reese Witherspoon

“Tom Perrotta is…one of the great writers that we have today. I love this book.” —Harlan Coben

An “engrossing and mordantly funny” (People) novel about ambition, coming-of-age in adulthood, and never really leaving high school politics behind—featuring New York Times bestselling author Tom Perrotta’s most iconic character of all time.

Tracy Flick is a hardworking assistant principal at a public high school in suburban New Jersey. Still ambitious but feeling a little stuck and underappreciated in midlife, Tracy gets a jolt of good news when the longtime principal, Jack Weede, abruptly announces his retirement, creating a rare opportunity for Tracy to ascend to the top job.

Energized by the prospect of her long-overdue promotion, Tracy throws herself into her work with renewed zeal, determined to prove her worth to the students, faculty, and School Board, while also managing her personal life—a ten-year-old daughter, a needy doctor boyfriend, and a burgeoning meditation practice.

But nothing ever comes easily to Tracy Flick, no matter how diligent or qualified she happens to be. Her male colleagues’ determination to honor Vito Falcone—a star quarterback of dubious character who had a brief, undistinguished career in the NFL—triggers memories for Tracy and leads her to reflect on the trajectory of her own life. As she considers the past, Tracy becomes aware of storm clouds brewing in the present. Is she really a shoo-in for the principal job? Is the Superintendent plotting against her? Why is the School Board President’s wife trying so hard to be her friend? And why can’t she ever get what she deserves?

A sharp, darkly comic, and pitch-perfect chronicle of the second act of one of the most memorable characters of our time, Tracy Flick Can’t Win “delivers acerbic insight about frustrated ambition” (Esquire).