New in Paperback: 9 September Releases We Need ASAP

From the author of the international bestsellers The Light Over London and The Whispers of War comes “a compelling read, filled with lovable characters and an alluring twist of fates” (Ellen Keith, author of The Dutch Wife) about five women living across three different times whose lives are all connected by one very special garden.

Present day: Emma Lovett, who has dedicated her career to breathing new life into long-neglected gardens, has just been given the opportunity of a lifetime: to restore the gardens of the famed Highbury House estate, designed in 1907 by her hero Venetia Smith. But as Emma dives deeper into the gardens’ past, she begins to uncover secrets that have long lain hidden.

1907: A talented artist with a growing reputation for her work, Venetia Smith has carved out a niche for herself as a garden designer to industrialists, solicitors, and bankers looking to show off their wealth with sumptuous country houses. When she is hired to design the gardens of Highbury House, she is determined to make them a triumph, but the gardens—and the people she meets—promise to change her life forever.

1944: When land girl Beth Pedley arrives at a farm on the outskirts of the village of Highbury, all she wants is to find a place she can call home. Cook Stella Adderton, on the other hand, is desperate to leave Highbury House to pursue her own dreams. And widow Diana Symonds, the mistress of the grand house, is anxiously trying to cling to her pre-war life now that her home has been requisitioned and transformed into a convalescent hospital for wounded soldiers. But when war threatens Highbury House’s treasured gardens, these three very different women are drawn together by a secret that will last for decades.

“Gorgeously written and rooted in meticulous period detail, this novel is vibrant as it is stirring. Fans of historical fiction will fall in love with The Last Garden in England” (Roxanne Veletzos, author of The Girl They Left Behind).

In this “ bewitching” (The New York Times Book Review) novel that traces a centuries-old curse to its source, beloved author Alice Hoffman unveils the story of Maria Owens, accused of witchcraft in Salem, and matriarch of a line of the amazing Owens women and men featured in Practical Magic and The Rules of Magic.

Where does the story of the Owens bloodline begin? With Maria Owens, in the 1600s, when she’s abandoned in a snowy field in rural England as a baby. Under the care of Hannah Owens, Maria learns about the “Nameless Arts.” Hannah recognizes that Maria has a gift and she teaches the girl all she knows. It is here that she learns her first important lesson: Always love someone who will love you back.

When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. Here she invokes the curse that will haunt her family. And it’s here that she learns the rules of magic and the lesson that she will carry with her for the rest of her life. Love is the only thing that matters.

Magic Lessons is a “heartbreaking and heart-healing” (BookPage) celebration of life and love and a showcase of Alice Hoffman’s masterful storytelling.

Rediscover the modern classic than launched the career of the #1 New York Times bestselling author of Mrs. Everything and Big Summer with this beautiful anniversary edition of her “contemporary Cinderella tale told with intelligence, wit, and style” (Susan Isaacs, New York Times bestselling author).

For twenty-eight years, things have been tripping along nicely for Cannie Shapiro. Sure, her mother has come charging out of the closet, and her father has long since dropped out of her world. But she loves her friends, her rat terrier, and her job as pop culture reporter for The Philadelphia Examiner. She’s finally even made a tenuous peace with her plus-size body.

But when she opens up a national women’s magazine and sees the words “Loving a Larger Woman” above her ex-boyfriend’s byline, Cannie is plunged into misery…and the most amazing year of her life. From Philadelphia to Hollywood and back home again, she charts a new course for herself: mourning her losses, facing her past, and figuring out who she is and who she can become.

An unforgettable novel full of charm and heart, “Good In Bed offers a sensitive telling of a life familiar to many and a humorous take on how the struggle can end in joy” (Associated Press).

Longlisted for the PEN/Hemingway Award for Debut Novel

“Cuyahoga is tragic and comic, hilarious and inventive—a 19th-century legend for 21st-century America” (The Boston Globe).

Big Son is a spirit of the times—the times being 1837. Behind his broad shoulders, shiny hair, and church-organ laugh, Big Son practically made Ohio City all by himself. The feats of this proto-superhero have earned him wonder and whiskey, but very little in the way of fortune. And without money, Big cannot become an honest husband to his beloved Cloe (who may or may not want to be his honest wife).

In pursuit of a steady wage, our hero hits the (dirt) streets of Ohio City and Cleveland, the twin towns racing to become the first great metropolis of the West. Their rivalry reaches a boil over the building of a bridge across the Cuyahoga River—and Big stumbles right into the kettle. The resulting misadventures involve elderly terrorists, infrastructure collapse, steamboat races, wild pigs, and multiple ruined weddings.

Narrating this “very funny, rambunctious debut novel” (Los Angeles Times) tale is Medium Son—known as Meed—apprentice coffin maker, almanac author, orphan, and the younger brother of Big. Meed finds himself swept up in the action, and he is forced to choose between brotherly love and his own ambitions. His uncanny voice—plain but profound, colloquial but poetic—elevates a slapstick frontier tale into a “breezy fable of empire, class, conquest, and ecocide” (The New York Times Book Review).

Evoking the Greek classics and the Bible alongside nods to Looney Tunes, Charles Portis, and Flannery O’Connor, Pete Beatty has written “a hilarious and moving exploration of family, home, and fate [and] you won’t read anything else like it this year” (BuzzFeed).

In this Time Top 100 Book of the Year, the National Book Award finalist and New York Times bestselling author of Heartland “analyzes how Dolly Parton’s songs—and success—have embodied feminism for working-class women” (People).

Growing up amid Kansas wheat fields and airplane factories, Sarah Smarsh witnessed firsthand the particular vulnerabilities—and strengths—of women in working poverty. Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. In her family, she writes, “country music was foremost a language among women. It’s how we talked to each other in a place where feelings aren’t discussed.” And no one provided that language better than Dolly Parton.

In this “tribute to the woman who continues to demonstrate that feminism comes in coats of many colors,” Smarsh tells readers how Parton’s songs have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as “trailer trash.” Parton’s broader career—from singing on the front porch of her family’s cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from “girl singer” managed by powerful men to self-made mogul of business and philanthropy—offers a springboard to examining the intersections of gender, class, and culture.

Infused with Smarsh’s trademark insight, intelligence, and humanity, this is “an ambitious book” (The New Republic) about the icon Dolly Parton and an “in-depth examination into gender and class and what it means to be a woman and a working-class hero that feels particularly important right now” (Refinery29).

“Darkly funny.” —The Guardian * “Transgressive...incendiary.” —The New Yorker * “A furious comic monologue...with a disregard for propriety worthy of Alexander Portnoy.” —The New York Times Book Review * “Sexy, hilarious, and subversive.” —The Paris Review

A whip-smart debut novel in which a woman on the verge of major change addresses her doctor in a stream of consciousness narrative.

In a well-appointed examination in London, a young woman unburdens herself to a certain Dr. Seligman. Though she can barely see above his head, she holds forth about her life and desires, her struggles with national and sexual identity. Born and raised in Germany, she has been living in London for several years, determined to break free from her family origins and her haunted homeland. But the recent death of her grandfather, and an unexpected inheritance, make it clear that you cannot easily outrun your own shame, whether it be physical, familial, historical, national, or all of the above.

Or can you? With Dr. Seligman’s help, our narrator will find out.

In a monologue that is both deliciously dark and subversively funny, she takes us on a wide-ranging journey from Hitler-centered sexual fantasies and overbearing mothers to the medicinal properties of squirrel tails and the notion that anatomical changes can serve as historical reparation. The Appointment is an audacious debut novel by an explosive new international literary voice, challenging all of our notions of what is fluid and what is fixed, and the myriad ways we seek to make peace with others and ourselves in the 21st century.