The 7 Stages of Emotion when Giving Away Books

Sabrina Sánchez
July 8 2020
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Every year, I torture myself debating about what books I should keep and which ones I should give away. It doesn’t matter that they’ve been sitting on the shelf collecting dust, parting with any precious book in my collection is still almost as hard for me as paying shipping costs on a product you know should be, like, $5 cheaper. If you find your bookshelves to be a bit overcrowded, allow me to prepare you for the road ahead. Here are the stages I go through when making space for—let’s face it—more books:

  • NOSTALGIA

“I know I read this way back in the sixth grade, but it brings back so many memories.”

I’m sure we’ve all thought this. But, unless you have children in mind to pass it on to, who you know will actually read it, get rid of it. Especially if the only thing it’s reminding you of is lengthy book reports and that the teacher hosted in-class readings of it because the only person who did their summer reading was you. Do you really want to keep that memory?

  • DOUBT

“What if I give a book away and they don’t read it?”

You might hope that the people you gift books to will appreciate the gesture and read them. You might also secretly hope that one day, one person might come back and engage in a full-blown three-hour café conversation about it with you, so you can talk about all your favorite parts, and all the characters you love and hate. But let’s be real, there’s a strong chance it may not happen. So, out of sight, out of mind! Otherwise, if you kept all the books nobody else is going to read, you’d likely end up on the A&E series Hoarders.

Maybe you’re not that extreme. Maybe you’re just a perfectionist and don’t trust anyone else. Well, it’s OK to feel that at this stage too.

  • DEFFENSIVENESS

“No one else will take care of the books like I do.”

Fair enough. Not everyone is careful not to rip paperback covers and dusts their books from time to time. However, it’s not your responsibility to ensure that every book in the world is kept in mint condition. While we may want our book babies to be in good hands, we can’t always be sure they will be. If there’s just some books you don’t think you can let go, it helps to sleep on it. Think about it a little longer, and then you can decide.

  • COMPROMISE

“Well maybe I can keep these…”

Evaluate what you will really read and what you won’t. What have you already read? Which ones did you leave off reading halfway through? Did you ever pick it back up? Which do you want to hold on to for a loved one? Which will be better off in a library? These are the kinds of questions you should ask yourself when facing this stage. It’s easy to say you’ll get around to reading—or rereading—a book. But, unless it makes you itch in your seat to read it, you should probably let it go.

  • PROCESSING

“Okay, I’m just going to put them aside in this corner until I’m ready.”

It’s not easy to say goodbye. This is probably the longest stage of book-letting-go grief, and that’s okay. Maybe you, like me, have difficulties parting with a certain book because, frankly, it’s always been on the shelf. It has now become a staple of your collection, and it seems preposterous to be without it. Think about it for as long as you need. But eventually, you will forget that the book—along with a pile of others—is even there. Once you do, you will know it’s time to let it go. There’s a reason you forgot about it in the first place. 

But letting go is always the hardest part, and sometimes you need to ease into it. Take your time, and fully process what you’re about to do.

  • REGRET

*After donating* “Why did I do that? I need to get them back.”

It’s possible, after donating books, that you may feel some guilt about letting go of something so precious to you. After all, you have been tethered to those books, sitting on your shelf, for a long time. In those moments, it’s best to think about where your attachment is rooted. Was it really a favorite or just decoration for your collection? If you analyze yourself, your motivations and attachments, the next part will be a little easier.

  • ACCEPTANCE

“Well, at least now I have more room for the new stuff.” *Adds books to Goodreads list*

After everything is said and done, you’re inevitably going to get more books and the cycle will repeat itself. Donating not only allows you opportunities to get rid of clutter, give your bookshelf a thorough cleaning, and reorganize your library, it also allows you to refresh your collection with books you eagerly want to read. Plus, even though it can be difficult to part with some of your books from time to time, the ones you donated now belong to someone else’s precious collection. In one way or another, you and that other reader are now connected. And your space is just a little more liberated. Isn’t that a beautiful thing?

These seven steps are a process every book lover will likely go through at some point in their life. Still, there are certain books that you should never give away if you own them. The prestige of your library may just depend on it. Here are examples of some of those books for me, from my collection, ranging from classic literary works to up-to-the minute engaging fiction to compelling journalistic nonfiction.

This post was originally published on GetLiterary.com.

The Beautiful and Damned
by F. Scott Fitzgerald

The Beautiful and Damned is a stunning satire of the glamorous but doomed marriage between Anthony Patch and his wife, Gloria. Harvard-educated Patch is waiting for his inheritance upon his grandfather’s death. His marriage to Gloria is fueled by alcohol and destroyed by greed. This shallow, pleasure-seeking couple race through a series of fiascoes—first in hilarity, then in despair.

A devastating portrait of the nouveaux rich, New York nightlife, reckless ambition, and squandered talent, The Beautiful and Damned was published in 1922 on the heels of Fitzgerald’s first novel, This Side of Paradise. This keenly observed novel signaled Fitzgerald’s maturity as a storyteller and confirmed his enormous talent as a novelist.

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The Beautiful and Damned
F. Scott Fitzgerald

F. Scott Fitzgerald’s second novel—written at a pivotal moment in his career—is now available in a beautifully designed special collector’s edition.

The Beautiful and Damned is a stunning satire of the glamorous but doomed marriage between Anthony Patch and his wife, Gloria. Harvard-educated Patch is waiting for his inheritance upon his grandfather’s death. His marriage to Gloria is fueled by alcohol and destroyed by greed. This shallow, pleasure-seeking couple race through a series of fiascoes—first in hilarity, then in despair.

A devastating portrait of the nouveaux rich, New York nightlife, reckless ambition, and squandered talent, The Beautiful and Damned was published in 1922 on the heels of Fitzgerald’s first novel, This Side of Paradise. This keenly observed novel signaled Fitzgerald’s maturity as a storyteller and confirmed his enormous talent as a novelist.

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These Ghosts Are Family
by Maisy Card

Stanford Solomon’s shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley.

And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead.

These Ghosts Are Family revolves around the consequences of Abel’s decision and tells the story of the Paisley family from colonial Jamaica to present-day Harlem. There is Vera, whose widowhood forced her into the role of a single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the houseboy who loved Vera, whpose lives might have taken different courses if not for Abel Paisley’s actions.

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These Ghosts Are Family
Maisy Card

Longlisted for the 2020 Center for Fiction First Novel Prize

A “rich, ambitious debut novel” (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi.

*An Entertainment Weekly, Millions, and LitHub Most Anticipated Book of 2020 Pick and Buzz Magazine’s Top New Book of the New Decade*

Stanford Solomon’s shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley.

And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead.

These Ghosts Are Family revolves around the consequences of Abel’s decision and tells the story of the Paisley family from colonial Jamaica to present-day Harlem. There is Vera, whose widowhood forced her into the role of a single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the houseboy who loved Vera, whpose lives might have taken different courses if not for Abel Paisley’s actions.

This “rich and layered story” (Kirkus Reviews) explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is a “beguiling…vividly drawn, and compelling” (BookPage, starred review) portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret.

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Catch-22
by Joseph Heller

Fifty years after its original publication, Catch-22 remains a cornerstone of American literature and one of the funniest—and most celebrated—books of all time. In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer.

Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he’s assigned, he’ll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved.

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Catch-22
Joseph Heller

This fiftieth-anniversary edition commemorates Joseph Heller’s masterpiece with a new introduction; critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos; and much more.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read.

Soon to be a Hulu limited series starring Christopher Abbott, George Clooney, Kyle Chandler, and Hugh Laurie.

Fifty years after its original publication, Catch-22 remains a cornerstone of American literature and one of the funniest—and most celebrated—books of all time. In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer.

Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he’s assigned, he’ll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved.

This fiftieth-anniversary edition commemorates Joseph Heller’s masterpiece with a new introduction by Christopher Buckley; a wealth of critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos from Joseph Heller’s personal archive; and much more. Here, at last, is the definitive edition of a classic of world literature.

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Three Women
by Lisa Taddeo

Lisa Taddeo’s Three Women is an in-depth look at the sex lives of three real American women—based on nearly a decade of reporting.

In suburban Indiana we meet Lina, the homemaker and mother of two whose marriage, after a decade, has lost its passion. Starved for affection, Lina battles daily panic attacks and, after reconnecting with an old flame through social media, embarks on an affair that quickly becomes all-consuming. In North Dakota we meet Maggie, the seventeen-year-old high school student who allegedly has a clandestine physical relationship with her handsome, married English teacher; the ensuing criminal trial will turn their quiet community upside down. Finally, in the northeast we meet Sloane, the successful, refined restaurant owner whose husband enjoys watching her have sex with other men and women. Based on years of immersive reporting and told with astonishing frankness and immediacy, Three Women is both a feat of journalism and a triumph of storytelling, brimming with nuance and empathy. 

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Three Women
Lisa Taddeo

The instant #1 New York Times bestseller and one of the most talked-about books of the year, Lisa Taddeo’s Three Women is “the most in-depth look at the female sex drive that’s been published in decades” (New York) and a “groundbreaking...breathtaking…staggeringly intimate” (Entertainment Weekly) look at the sex lives of three real American women—based on nearly a decade of reporting.

Hailed as “a dazzling achievement” (Los Angeles Times) and “riveting page-turner that explores desire, heartbreak, and infatuation in all its messy, complicated nuance” (The Washington Post), Lisa Taddeo’s Three Women has captivated readers, booksellers, and critics—and topped bestseller lists—worldwide.

Declared “the best book of the year” by Elizabeth Gilbert and “a breathtaking and important book” by Cheryl Strayed, Three Women has won praise everywhere from Columbia Journalism Review (“deeply reported, elegantly written, almost uncomfortably intimate”) to Refinery29 (“the hype for Three Women is real; in fact, it’s insufficient”), from Esquire (“a heartbreaking, gripping, astonishing masterpiece”) to Time (“Three Women is a battle cry…For anyone who thinks they know what women want, this book is an alarm, and its volume is turned all the way up.”) In the words of The New Statesman, “This is an unusual, startling, and gripping debut. It feels to me like the kind of bold, timely, once-in-a-generation book that every house should have a copy of, and probably will before too long.”

In suburban Indiana we meet Lina, the homemaker and mother of two whose marriage, after a decade, has lost its passion. Starved for affection, Lina battles daily panic attacks and, after reconnecting with an old flame through social media, embarks on an affair that quickly becomes all-consuming. In North Dakota we meet Maggie, the seventeen-year-old high school student who allegedly has a clandestine physical relationship with her handsome, married English teacher; the ensuing criminal trial will turn their quiet community upside down. Finally, in the northeast we meet Sloane, the successful, refined restaurant owner whose husband enjoys watching her have sex with other men and women.

Based on years of immersive reporting and told with astonishing frankness and immediacy, Three Women is both a feat of journalism and a triumph of storytelling, brimming with nuance and empathy. “A work of deep observation, long conversations, and a kind of journalistic alchemy” (Kate Tuttle, NPR), Three Women introduces us to three unforgettable women—and one remarkable writer—whose experiences remind us that we are not alone.

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Fahrenheit 451
by Ray Bradbury

Guy Montag is a fireman. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But when he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television, Montag begins to question everything he has ever known.

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Fahrenheit 451
Ray Bradbury

SOON TO BE AN HBO FILM STARRING MICHAEL B. JORDAN AND MICHAEL SHANNON

Sixty years after its originally publication, Ray Bradbury’s internationally acclaimed novel Fahrenheit 451 stands as a classic of world literature set in a bleak, dystopian future. Today its message has grown more relevant than ever before.

Guy Montag is a fireman. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But when he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television, Montag begins to question everything he has ever known.

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MENTIONED IN:

The 7 Stages of Emotion when Giving Away Books

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